This collection will tell you about the most interesting and best lenses that, in our opinion, should have in every Sony A6400 camera bag. Each of the samples selected by MOOZ is the best choice in its class of optics, and together they cover almost all typical shooting scenes. In addition to the best models under the Sony, we have included in this review some more interesting lenses of third-party manufacturers (Sigma, Samyang) that have their own highlights.
Sony system today has more than 70 brand lenses, not counting dozens of models from third-party manufacturers - there is plenty to choose from! In this collection, we included lenses with the E bayonet, which are divided into two classes: FE for full-frame cameras and E for APS-C sensors.
Here is the list with the best lenses for Sony A6400
Sony E 50mm F1.8 OSS
This is a high-quality, versatile, supreme and serious lens for Sony A6400. Wedding photographer or not, 50mm allows you to fit enough in the frame to tell the story, while at the same time being equally suited to shoot a solo portrait, group shot, landscape image. As for image quality, the Sony E 50mm F1.8 OSS delivers contrasty, vivid photos even shot at F1.8 or stopped down to lower apertures. A rounded 7-blade diaphragm produces a brilliant bokeh, extraordinary photos quality. No doubt a must have for surprising portraits and everyday use, this optical device allows you to capture stunning images with a shallow depth of field while isolating your subject from their backgrounds.
On your ideal Sony A6400 this surprising lens generates ultra sharp photos with only a hint of softening near the lens corners just after you with max aperture. The aspherical lens which has a curved, non-spherical surface helps to take down coma and other types of lens aberrations. It utilizes curvature and positioning of 8 optical elements to virtually eliminate flare and ghosting for crystal clean, tack sharp, high-quality images. This secure built metal-barreled lens has a very stable engine and butterfly turning focus rings which make shooting both photos and video very easy. Naturally, the Sony E 50mm F1.8 OSS is a gemstone of a lens to have in your new A6400 bag.
Sigma 30mm F1.4 C
This Sigma lens enhances lens light smoothly and offers superior color with a cut downed flare to produce tasteful portraits every time. If you’re looking to buy your first lens after the kit 18-55mm, you’ll be amazed by the admirable top-grade quality as prime lenses are top notch! This worthy Sigma 30mm F1.4 C lens is impressive. The feeling, razor-sharp pixels, an attribute of the excellent images are incomparable. The contrast and vibrance are fascinating. This beauty is one of the best lenses ever shaped by Sigma and with your Sony A6400 it generates clear innovative images. If you can get close enough to the subject, the bokeh exhibited by the Sigma 30mm F1.4 C is dreamy and creamy.
It is made of 9 optical elements to remove flare and ghosting for clear, tack sharp, brilliant-quality images. Capturing at F1.4, which is a very wide aperture, will also allow you to blur your background and make your subject stand out, really giving your shots that experienced look. As with all Sigma lenses, build quality on the Sigma 30mm F1.4 C is incredible, with an alloy barrel and durable, stylish quality and best finish. Regarding the lens optical attributes, this gem also sports an internal focusing design to bring ripping fast and exceedingly quiet autofocus performance.
Sony E 35mm F1.8 OSS
This lens is ideal for those who need a light strong lens with a normal field of view in addition to the normal zoom. Of course, the constant focal length is not too convenient compared to the variable, but this inconvenience is more than compensated by the high luminous intensity f/1.8, the compact size and weight of the lens and of course sharp uniform pattern.
Sony 35mm F1.8 OSS is especially good for shooting in low light: in comparison with the standard zoom, only the light force will give a gain in two or three levels of exposure, and if the shot scene is static, then at least two stages will provide an optical stabilizer. Taking into account the stabilizer in the camera, the winner will be even greater — up to five steps. With this technique, it is easy to shoot without a tripod landscape in the early twilight when the light is the most spectacular.
Sony 35mm F1.8 OSS supports manual focus adjustment, so you can always adjust sharpness even if autofocus is wrong. Thanks to the angle of view of 44°, the lens does not distort the perspective and transmits it exactly as we are accustomed to seeing with eyes. Dimensions at 35mm F1.8 modest: 63х45 mm, it weighs 154 grams and works with available light filters with a diameter of 49 mm.
Sony E 55-210mm F4.5-6.3 OSS
One of the most long-awaited, incredibly crisp lenses, the Sony E 55-210mm F4.5-6.3 OSS is manufactured for a competent photographer. The high-quality, crisp lens overlay gives special high-contrast, high-resolution optics with small aberrations. The lens bayonet mount is constructed from tough metal to give closeness and endurance. With its exaggerated ultra-wide perspective and high-resolution imaging power, it captures dynamic, sweeping views of subjects, making it an ideal choice for landscape photography. Built-in image stabilization allows you to capture sharp handheld images even at 55-210mm.
Build sturdy, the crisp lens feels impressively solid and can be used for Instagram travelers as well. This impressive Sony lens produces photos that are genuinely sharp and superb in the center at F4.5 - F6.3 and serious sharp when you hit f/5.6. The Sony E 55-210mm F4.5-6.3 OSS displays some plasticity at appropriate close dimension and or at the greater apertures, so is best-suited to models over a feet away. Although these advanced glasses do pull off some soft barrel distortion, this can be barely entirely fixed in post-processing. Lastly, excellent Sony E 55-210mm F4.5-6.3 OSS lens is a very affordable and perfect choice for wanting a boost from the cheap lens in the necessity of quality and larger focal extension.
Sony E PZ 18-105mm F4 G OSS
This lens will be interesting for those who are into a video. Motorized zoom, a practical focal length range of 18 - 105 mm and, especially important for video, a constant luminous intensity of f/4. This is not the only Sony lens for video shooting, but in terms of price and opportunity, it is optimal. For budget video production it is more than enough. And for photography, this zoom lens is quite good. Its range of focal lengths covers most typical shooting scenes.
To reduce chromatic aberrations, the two lens lenses are made of ED-glass with low dispersion. The Sony 18-105mm F4 weighs only 427 grams, its dimensions are 110х78 mm, the diameter of the thread under filters is 72 mm. Four-grain hood is included in the delivery package.
Sony E 18-135mm F3.5-5.6 OSS
There are so many excellent Sony lenses to choose from when you start getting more advanced with your photography, but Sony E 18-135mm F3.5-5.6 OSS is an excellent place to start for beginners. The Sony lens is completely rebuilt, among optional elements, to maintain ultimate feeling under the final usage condition. Optical SteadyShot image stabilization is built-in. Thanks to a rapid speed internal focusing mechanism, the Sony E 18-135mm delivers fast, silent and ultra-precise auto-focus.
It utilizes curvature and positioning of 16 optical elements to virtually eliminate flare and ghosting for clean, tack sharp, brilliant-quality photos. Many zoom lenses have a fixed aperture so even if you zoom all the way, the opening doesn’t get smaller. If there’s one element where Canon light at, it’s building remarkable zoom lenses. Sony is tack sharp then aperture is set to f/4 and, for the price, produces very appealing bokeh. With a stellar Sony lens like this, you get the quality of the essential photos from your Sony A6400 digital sensor.
Sony E 18-200mm F3.5-6.3 OSS LE
It is a compact and versatile 11x travel zoom with optical performance, high enough even for professional studio shooting, and with an integrated optical stabilizer with active mode for video shooting. The Sony 18-200mm F3.5-6.3 OSS lens is the best choice for travelers and reporters who save space in their luggage and do not have time to change the lenses under the plot.
The image quality is ensured by four aspherical lenses in the optical circuit. Diaphragm rounded with seven petals. The minimum focus distance is 0.3 - 0.5 meters. The Sony 18-200mm F3.5-6.3 OSS lens weighs 524 grams and its length in a short focal position is 99 mm, which is quite compact for 11x zoom. Despite the diameter of the lens 75.5 mm, the light filters are not ruinous in size — 67 mm. Complete with the lens sold petal hood.
Sigma 16mm F1.4 DC DN for Sony E-mount
Versatile, surprising, extraordinary Prime advanced lens with F1.4 brightness at wide open aperture, this lens incorporates 16 optical elements in 13 groups. Perfect for those who were hiking and travel and want one, hard, detailed universal lens. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape, and indoor/real estate, definitely check out the Sigma 16mm F1.4 DC DN Sony E-mount. It is elegant, tack sharp has brilliant colors and focuses very fast. The lens bayonet mount is constructed from wise brass to provide closeness and endurance.
Distortion is insignificant, but this is seemingly due to mirrorless camera bodies which regulate most distortion with a processor. When you came close enough to the model, the lens bokeh showcased by the Sigma 16mm F1.4 DC DN is dreamy and creamy. This good lens is impressive. The feeling, lifelike details and style of the beautiful photos are. Powerful Sigma produces photos that are very sharp near the center, especially when shot between f/4 and f/5. You can utilize these versatile glasses for events, landscape pictures, or freely as your only lens if you need a do-it-all lens.
Sigma 56mm F1.4 DC DN C
To take your pictures to the next level, you’ll want to begin building your arsenal of momentous lenses. This Sigma 56mm F1.4 DC DN C lens has been developed utilizing an advanced optical structure to achieve both good resolution and versatile details. Moreover, photos out of the Sony A6400 superb Sigma 56mm F1.4 DC DN C are vivid, contrasty, detailed and fabulously razor-sharp. Combined with your ideal Sony A6400 this top-tier lens generates ultra-sharp photos with only a small amount of softening near the edges when you shot with max aperture.
The cat eyes produced in the Sigma 56mm F1.4 DC DN C are more round in aspect than I can see with my optional lenses on my camera. This is a top-grade Sigma portrait lens for photographers who like to shoot surprising pictures separate from their models. For every versatile report or wedding photographer who is satisfied only with the highest image quality, the Sigma 56mm F1.4 is a brilliant decision, and the hefty purchase price will not be an obstacle. The wide aperture lets you blur the background, getting a stunning, creamy, out-of-focus area, that helps to draw attention to your subject. Complementing the lens optical attributes, this lens also enclosure an advanced focusing construction to deliver high-speed and fabulously quiet focusing performance. Any other way, Sigma 56mm F1.4 is an ultimate, beautiful Sony E mount Prime lens that gets the impression, and at a very accessible price.
Sony E 10-18mm F4 OSS
Build durable, the excellent lens feels exceptionally solid and can be used for hikes and traveling as well. You can shot great moving, landscape or memorable sports photos. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, scenery and indoor/real estate, definitely check out the Sony E 10-18mm F4 OSS. While this lens is known for taking very sharp images, especially at the long end, its biggest asset is probably its wide focal range, which allows for one lens to be used in a variety of settings. Plus, it’s got Optical Stabilization which is helpful once you go over 200mm, or are shooting in dim light. Furthermore, this is an impressive, excellent Sony E mount Zoom lens that gets the impression, and at an appropriate obtainable price.
Kamlan 28mm F1.4 Sony E-Mount
This stunning lens is ultra -sharp in the center but on the sides of the glass have a small but soft blurry effect. Ghosting and sun flare are bare small with this lens through its dreamy bokeh leave delightfulness to be befitting. Combined with Sony A6400 this excellent lens produces tack sharp photos with vibrant colors. Build strong, the detailed lens feels incredibly reliable and can be perfect for hikes and traveling as well. With its exaggerated ultra-wide perspective and high-resolution imaging power, it captures dynamic, sweeping views of subjects, making it an ideal choice for landscape photography. This modified and enhanced Kamlan glasses should be in each one Sony A6400 collection.
Sigma 19mm F2.8 DN
Sigma 19mm F2.8 is ultra sharp around f3.2 and, for the price, shots perfect bokeh. Sharpness rendition is also dependent on the camera used, but at least with the Sony A6400, you’ll realize it’s not the lens letting you down!. Whether you’re traveling to Iceland for a month or want a lens that is useful for it all and gives contrasty results, you’ll love it. It embodies a Super Multi-Layer Coating into its 8-element, 6-group optics, and offers sharp, versatile photo reproduction, even at the maximum aperture of F2.8. Details are polite at F2.8, but stopping the lens down to f/4-f/8 shows the superior results if capturing the dreamy photos is your primary concern. With a stunning Sigma lens like this, you get the significant pictures quality from your Sony A6400 sensor. The lens cost is very affordable, so that is a great choice perfect for newcomers.
Samyang 12mm f2.0
If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape, and indoor/real estate, definitely check out the Samyang 12mm f2.0. This respectable Samyang 12mm f2.0 lens is surprising. The feeling, bright pixels and attribute of the excellent images are. Packed with Sony A6400 this fascinating lens generate ultra sharp pictures with contrasting colors rendering. The lens provides the utmost correction against lateral chromatic aberration which is significant trouble for digital SLR cameras. Sharpness is good abroad most of the focal field – but storm out off more at the long end. This monstrous Samyang excellent piece of glass also delivers immensely detailed images with razor-sharp colors and decent sharpness. You can use this bright lens for traveling, events photos, or just as your exclusive lens if you wish a comprehensive lens.
Sigma 60mm F2.8 DN
Following my recent switch to Sony for wedding photography work, I thought it fitting to write a roundup of the best Sigma lenses available in 2018. The Sigma 60mm F2.8 DN from Sigma is a supreme, extraordinary, unusual and superb Prime well-suited to popular and trendy Sony A6400. The Sigma 60mm F2.8 DN is incredibly rebuilt, among additional things, to give a versatile clarity under the most maximum condition. The beautiful lens is versatile enough for all types of stunning photos in multiple lighting environments.
I am cheerfully surprised with how stunning bokeh can be generated at F2.8 with this fabulously reputable lens. A very minimal amount of barrel distortion is nearby the edges of pictures shot with Sigma 60mm. Sharpness is excellent across almost all of the focal diapason – but drops off more at the long end. This is a superb, crisp, impressive and momentous lens for Sony A6400.