Top 10 Best Samson Wireless Microphones
for June 2023

The Samson SE10TX is a low-profile headset mic with a miniature condenser capsule that is ideal for live and broadcast vocal applications, presentations, houses of worship, theaters, fitness and more. The mic features a built-in belt clip, so the mic can stay where you need it. The mic also features a 3mm mini condenser capsule, which captures your voice clearly and at a comfortable volume. The mic also features a 3.5mm jack, so it can be connected to a headphone jack on a recording device. The mic also comes with a USB cable, a 3.5mm to 3.5mm cable, a 3.5mm to 6.35mm cable, and a 3.5mm to 3.5mm cable. The mic is lightweight and compact, which makes it ideal for wearing over your ears. The mic is also compact enough to fit in a small bag or backpack, so it is easy to carry. The mic is ideal for use with the Samson Go Mic Clip, Samson Strike Pocket, Samson GO Mic, Samson GO Tunes, Samson GO Talk, Samson GO Micro, Samson GO Wireless, Samson GO Mic+, Samson GO Clip+, Samson GO Clip, Samson GO Clip+, Samson TXT 1, Samson boombox, Samson go portable, Samson 2way, Samson 8 in 1, Samson headset with mic, Samson 2-way headset mic, Samson wireless microphone, Samson microphone with clip, Samson 2way headset mic with clip.

The SWC88XHQ7-D from Samson Technologies is our favorite handheld wireless system, offering exceptional audio quality, excellent range, and an intuitive, uncluttered interface. The SWC88XHQ7-D features eight channels, which makes it possible to operate seven additional systems simultaneously on each frequency band (region dependent). The Q7 microphone has supercardioid pickup patterns tailored for vocals, and it includes an ear clip for convenient use during performances. The receiver features one-touch automatic scan, which finds the best operating frequency. The SWC88XHQ7-D offers up to 300' of operating range (line-of-site), and it includes an infrared sync button to quickly pair the receiver and transmitter. The receiver features a 100-SKU selector, which allows users to store up to 100 frequencies. The SWC88XHQ7-D's transmitter operates for up to eight hours with AA batteries (included), and it has an adjustable gain control for fine-tuning input levels. The receiver features a rackmount kit for installation in a standard 19" rack.

The Samson Stage 200 is a solid, no-nonsense handheld wireless system that offers good performance at an affordable price. The Stage 200 has two frequency bands (region dependent) that can support up to four performers simultaneously, and it features dual-channel operation, so each performer can use their own handheld transmitter. The system's range is good, and we found the handheld transmitters to be comfortable to hold and operate. The Stage 200 includes four AA batteries, an AC adapter, and (2) Q6 dynamic microphones. The handheld transmitters have a multifunction button and a mute/solo button. The multifunction button can be used to mute the transmitter's output, change channels, or adjust the volume. The mute/solo button is used to mute the transmitter's output, and it can be used to select which channel the transmitter transmits on. The Stage 200's display is small and hard to read, and the user manual isn't very good, so it's not always easy to find the controls. The Stage 200's audio quality is decent, but the Q6 microphones —which are the least expensive models in Samson's Q6 series—are not the best sounding. The Stage 200's manual also states that it uses 40 dB of dynamic range, but that's misleading: The transmitter's actual dynamic range is 42 dB. Overall, the Samson Stage 200 is an easy-to-use, reliable wireless system for performers on a budget.

The Samson DE10X Omnidirectional Headset Microphone is an outstanding choice for live and broadcast vocal applications. The headset is low-profile, with a stainless steel mesh grille, and is light enough to wear comfortably for hours at a time. The microphone is also dustproof and water resistant, making it well-suited for outdoor use. The capsule is a 3mm Miniature condenser mic, and Samson provides four different adapters (XLR, TRS, 1/4-inch and 1/8-inch) so you can easily connect it to your wireless system. The microphone's pickup pattern is omnidirectional, so it's excellent at capturing sound evenly around the capsule. The adjustable frame and mic boom also allow you to position the capsule exactly where you want it, and the microphone's frequency response is 20hz to 20kHz, ensuring that you'll hear all the lows and highs in your sound. The microphone is very quiet, and it's easy to set up and use. It ships with windscreens, a clip and a carry case.

The Samson Stage 200 handheld system is a great choice for multi-performers, such as bands, choirs, and orchestras, who want to work wirelessly together. It has 4 channels, each with 16 frequencies, which can support up to four performers simultaneously. The frequency response is broad, so the system can be used for live sound reinforcement as well as recording. The Stage 200 offers solid audio quality, with warm vocals and clear, punchy bass. The built in condenser microphones are high quality, with good sound reproduction, a polished frequency response, and tight, punchy highs, so they're great for singing or speaking. The built-in automatic level control makes sure that performers never need to adjust the volume on their instruments themselves, and the backlit display makes it easy to see the volume level at a glance. The Stage 200 also offers a range of useful features, such as frequency selection, channel grouping, and channel switching. The dual microphones can be shared between performers, and there's also a 1/4" stereo plug, so you can use the Stage 200 as a stereo sound mixer. The receiver has a range of up to 100 meters (328 feet), and it provides up to 11 hours of use on a single charge. The receiver is compact and lightweight, so it's easy to carry onstage.

The Samson Concert 99 is a multi-band UHF wireless system designed for live sound, worship, and background music use. The Concert 99 has eight channels per frequency band, 80 operating channels, and 24MHz of bandwidth, and it employs frequency agile technology so channels can be seamlessly switched without dropouts and interference. The Concert 99 has robust security, with support for up to 32 users and 128 unique identities, and AES encryption. The receiver features 16 channels, but channels 1-8 are reserved for system use, so only 16 channels are available to users. The receiver has 100mW of power, and the receiver can be powered using a 9V battery or a power adapter. The transmitter is about the size of a pen, and the receiver is about the size of a standard lapel mic. The Concert 99 has USB and 3.5mm cable connectors, and the receiver has a 3.5mm cable connector. The Concert 99 receiver and transmitter communicate at 2.4GHz. The Samson Concert 99 is best suited for live sound or worship applications, but it's versatile enough to use for background music. The receiver's audio quality is average, but it's on par with other wireless systems we've tested. Like most wireless systems, the Concert 99 has a relatively short range for receiver to transmitter distances. The Concert 99 is a good choice for live sound or worship applications, but it's versatile enough to use for background music.

Samson's SWS412HH-E is a 4-channel wireless microphone system with four operating frequencies per channel and 6 operating channels per system. The sound quality of the SWS412HH-E is good, with smooth frequency response, accurate audio reproduction, and a strong, clear signal. The system is also stable, with tight, responsive controls, and a tight, clear signal. However, the Shure GLXD4 system we tested was slightly better, with brighter sound and less interference. The SWS412HH-E's audio controls are similar to those of the Shure system, but the latter's audio controls are easier to use. The SWS412HH-E has a touch-sensitive channel mute button, so you can mute a channel without having to push a button on the receiver. The SWS412HH-E's controls also have four buttons, which allow you to control the volume, mute, and channel selection. The SWS412HH-E's controls are easy to use, but they're not as responsive as the GLXD4's. The SWS412HH-E's battery life was shorter than the GLXD4's. The Samson SWS412HH-E is loud enough to handle loud performances, but it's louder than most performers want. It would be ideal for small gigs and for singers and musicians who are performing in a venue that is quieter than they would like.

The Samson Stage SWS200HH is a dual-channels VHF wireless system with two Q6 dynamic microphones that are optimized for hands-free operation. Two frequency bands (region dependent) support up to four performers simultaneously, and the SWS200HH has 4 kHz continuous tuning bandwidth. It also contains a 100-step sensitivity switch, a 10-band EQ, and 50 Hz to 20 kHz frequency response. The SWS200HH has a backlit LCD screen that's easy to read, and it has a 100-foot wireless range. The Q6 dynamic microphones have noise-canceling microphones, and both microphones can be used simultaneously as dynamic or condenser microphones. The SWS200HH has an input for an external microphone, and it has a headphone output and a 1/8" line output. The SWS200HH has a USB port for powering external devices via micro USB or USB cables.

The Samson DE60X is a well-designed, rugged, and user-friendly unidirectional headset microphone that is ideal for professionals, podcasters, speakers, and musicians. It delivers quality audio, and its 50Hz-18kHz frequency response (as well as its 1dB boost at 7. 5kHz) is broad enough to cover a wide range of frequencies, from deep bass to high mid-range. The microphone is easy to use, and the detachable adaptor cables make it easy to connect this mic to just about any wireless system. The mic is durable, and it's IP65 rated, making it dust and moisture resistant. The mic is sturdily built, with a gold-plated connector and stainless steel mesh grille, and it includes a windscreen, collar clip, and protective carry case.