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Best Lenses for Full Frame Mirrorless Camera Canon EOS R of 2019

We looked at all lenses for Canon EOS R and selected the best choices based on good price, usefulness and detailed image quality. Here are a collection with the Best Lenses for Canon EOS R

Canon RF 50mm F1.2L USM

Canon RF 50mm F1.2L USM

The EOS R system started with a small but very interesting set of lenses for its bayonet. Lightweight “fifty” with ultrasonic focus drive is not cheap (although prices for L-series lenses have never been particularly low and have not been), massive (almost a kilogram!) and even purely tactile causes the feeling of a thing done qualitatively and for a long time.

Getting good sharpness with this value of an open aperture is not an easy task. A lot of lenses, and Canon, including, require the cover of the diaphragm and with less light intensity in order to get rid of the “soap”. Chromatic aberrations — slight, easy to clean when RAW is processed. Beginning with f/2.0, the sharpness becomes excellent at all, even at the center, at least at the edges.

The diaphragm is collected on ten rounded petals. We take light-strong “fifty” for a reason, right? Bokeh is really beautiful, light power allows you to withdraw from GRIP a maximum of unnecessary details. Another thing is that Boke personally the author would call faceless: “if a person opens the diaphragm, the lens will draw circles”. Although, of course, it is better than boring already on thousands of photos “torsion”. What do we say to the twisted bokeh? “Not today.”

An old acquaintance — the ring ultrasonic autofocus drive — as always, fast, silent and allows you to use manual focus control without necessarily switching to MF mode. Two-mode autofocus — with full range (from 0.4 m to “infinity”) and with reduced (0.8 m — “infinity”). Nothing new here, everything is familiar and traditionally excellent. But the camera settings control ring introduced on RF lenses is a useful thing: extra setting “at hand” (however, you can and without quotes - literally) will not hurt. For example, working in the aperture priority mode, you can control it not the camera wheel, but the holding arm of the lens, as on manual optics.

This is a good choice for a full-frame mirrorless camera Canon EOS R


  • Fast autofocus with FTM
  • Excellent sharpness even on the open aperture
  • Pleasant bokeh
  • Flawless build quality


  • High price
  • Dimensions and weight for a relatively compact EOS R is large

Canon RF 28-70mm F2L USM

Canon RF 28-70mm F2L USM

Khe-khe! Yes, the goods in online stores makes it stall. And from the price, and from the weight of almost one and a half kilograms, and from the dimensions decent to television. Inadvertently asks to feel that on top RF lenses in Canon decided to compensate saved by the cameras themselves under this bayonet size and weight.

But the “glass”, of course, came out what it is necessary. The “two” of a relative hole in the entire focal range is a very good luminous intensity for the zoom lens. The range of focal lengths is convenient - here you and quite a wide “end”, and seventy for portraits. Wedding photographers have their inner Hamster exactly has to squeal a lively (though, his neighbor - Toad will immediately begin to recalculate the price of the lens into the number of weddings that need to be worked out, while the lens will only pay off). Taking into account the fact that the aperture is nine-petal, as a “portrait” and for artistic shooting, when high-quality background blur is required, the lens is completely wealthy.

Autofocus quality — no comment: the ring USM-drive silently puts the lens sharp at the right point in a tenth of a second. FTM, as an integral attribute of this construction since its inception in the early nineties, here is more “to be” than a really necessary thing.

The quality of optics, including UD-elements, is such that it is difficult to get involved. Chromatic aberration will have to be sought under the magnifying glass, vignetting is noticeable only at the “wide end” to f/4, barrel distortion completely disappears, starting with a focal length of 35 mm. Control light is practiced confidently and even beautifully - with smooth multibeam stars without rough lights, it is quite possible to use in artistic photo as a “chip”.


  • Excellent quality of optics
  • Beautiful bokeh
  • High luminous intensity over the entire focal length range


  • Dimensions and weight are unacceptable for a “walk around” photo, for which just zoom lenses are interesting
  • High price

Canon RF 35mm F1.8 IS STM Macro

After viewing the catalog under the RF bayonet, this lens allows the Hamster to rest from the battle with the Toad. Quite reasonable price, and dimensions with weight, not shocking from the beginning of acquaintance, make this lens Canon very interesting.

With a minimum focus distance of 17 centimeters, it is quite wealthy as a macro lens. In addition, macro photography can be carried out at long shutters, in an uncomfortable position - built-in optical stabilizer with a range of 5 stops will always help out.

Chromatic aberrations are already clearly visible, the photo will have to be corrected. Both “barrel” and vignetting are tangible. However, this is corrected - however, if you use Lightroom, auto-correction will not be available: Adobe has not yet “deformed” the profile for this lens. Fortunately, the correction of peripheral lighting and distortion is supported by the cameras themselves EOS R, where the Canon profiles for the lens did not forget to create. Sharpness is good on the open diaphragm, and “in full order” comes from f/2.8 and further to f/11 — then the influence of diffraction becomes noticeable.

Autofocus is assembled on the stepper motor. It's not as fast as USM, but it doesn't cause complaints. Noise when focusing is minimal. Given the wide field of view, perhaps, this lens can fall in love with video bloggers, filming themselves loved in a limited space (well, that is, at home on the couch). Manual focus, like other STM-lenses, “virtual” - the ring is mechanically independent of optics, it does not work when the power is switched off.

The nine-petal diaphragm and good light intensity allow you to think about the side. Yes, the quality of blur is good, although a small focal length and more “sharpened” under macro photography design limit the use of the lens — say, behind the spider on the branch of the bokeh will be beautiful, and here a growth photo of the person already immediately hinted to get “half tinnik”, and even the lens “more authentic”.


  • Affordable price compared to other RF lenses
  • Efficient stabilizer
  • Pleasant background blur
  • Small size and weight


  • Noticeable “chromatic” on the open diaphragm
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Zigmars Author

Fanatic web designer & photographer specialized in clean and modern Bootstrap & WordPress theme development. I continuously explore new stuff about web design and photo cameras and update MOOZ Blog on a regular basis with the useful content.