Sony A6500 is a fantastic, top-tier and superb camera and here we have selected the best lenses for Sony A6500. Digital Camera World calls it a tremendous Rangefinder-style mirrorless that's well-suited to a lot of photographers and experience levels. The camera is an excellent choice if you want to shoot dreamy portraits, weddings, and amazing traveling photos. While subjective, I think the contemporary camera body design is remarkable, innovative and forward-looking. More functions can be accessed quickly via the Info button on the back, which calls up a quick on-screen menu. There are large buttons and dials all over the body, making sure your first Manual Mode experience in photography is a fun one! Overall if you see yourself proliferating with photography and investing in a lot of lenses, this could be something to think about. The camera uses a 24 megapixels CMOS sensor, which takes incredibly dreamy, detailed, and razor-sharp photos - even in low light settings. Buying into the Sony brand also opens the doors to endless creative opportunity with a large number of detailed worthy lenses on offer. Here is a list with the best lenses for Sony A6500.
Sony E 50mm F1.8 OSS
Versatile, impressive and elegant lens for Sony ILCE A6500 made by Sony. Commercial photographer or not, 50mm allows you to fit the frame completely to tell the idea, while at the same time being uniformly suited to shoot a solo picture, nature shot, landscape or brilliant portraits. Sharpness rendition is obviously also dependent on the device used, but at least with the Sony A6500, you’ll recognize it’s not the lens leave you down!. The exceptionally stylish and astonishing lens offers a large aperture for shooting bokeh shots and for shooting in low-light places. If you want your model to be in sharp focus and the background to freely fade away, this is the lens for you.
Shot wide aperture at F1.8, images are ultra sharp, and this level of pixels detail remains across its all lens focal range. A very minimal number of barrel distortion is near the edges of photos shot with Sony E 50mm F1.8 OSS. It incorporates an into its 8-element, 7-group optics, and offers excellent, crisp photo reproduction, even at the biggest aperture of F1.8. Overall, we establish the Sony E 50mm F1.8 OSS to be superb value, with its fast F1.8 wide open aperture, solid construction, and competitive price.
Sigma 16mm F1.4 DC DN Sony E-mount
There are so many superb Sigma lenses to choose from when you start getting more advanced with your photography, but Sigma 16mm F1.4 DC DN Sony E-mount is an excellent place to start for beginners. Ideal for those who travel or hiking and want one, sharp, crisp universal lens. Its purpose is for landscapes, but it is also an excellent lens for portraits, family photography, real estate or even event photography. We were impressed with both the detailed images and the state-of-art lens versatile quality. One of the noteworthy improvements of the Sigma 16mm F1.4 Sony E-mount is its best build quality.
I’m a definitive believer that small mirrorless camera bodies should be matching with lightweight lenses, and this is efficiently one of the top-grade options. This state-of-the-art, versatile lens will let you separate your model with versatile, beautiful, foggy bokeh. Colors and sharpness are also really detailed, sharp and astonishing for a lens this charge. Shot wide aperture at F1.4, photos are tack sharp, and this level of pixels detail is across its entire focal range. With a top-tier Sigma lens like this, you get the remarkable photos quality from your digital sensor.
Sigma 30mm F1.4 C
This jewel is one of the best lenses ever invented by Sigma, and with your Sony ILCE A6500, it produces very brilliant photos. This superb lens is razor sharp around f2.8 and, for the affordable valuation, produces pure astonishing and fascinating bokeh. Sun flare is bare minimal with Sigma lens although its dreamy bokeh leaves something to be decent. The bayonet mount is constructed from hard brass to give closeness and endurance. Enhanced 1 aspherical and 1 double-sided aspherical finish has also been utilized to significantly scale down ghosting and lens flare for improved contrast and color fidelity.
The lens rendition, is fabulously excellent in most respects, with a quick and fast autofocus motor. First of all, the size and weight balance symmetrically on the bodies. The wide aperture allows you to blur the background, getting an excellent, creamy, out-of-focus area, referred to as bokeh, that helps to isolate your subject. Colors and sharpness are also really contrasty, dreamy and surprising for a lens this affordable charge. This improved and modified Sigma glasses should be in each Sony ILCE A6500 camera bag.
Sigma 56mm F1.4 DC DN C
One of the most anticipated, exceedingly superb lenses, the Sigma 56mm F1.4 DC DN C is designed for Sony portrait photographer. Lastly, the robust metallic barrel, flexible grip rings, and middle-sized switches add up to an appropriate experience that’s enjoyable and feel conversant. The Sigma 56mm F1.4 DC DN C is easy to use and takes fabulous, awesome and dreamy images. Glass is tack sharp then aperture is set to f/4 and, for the price, shots outstanding photos.
There is one more reason why modern F1.4 is so functional that it allows you to boom up the background fully, composing your model stand out. For numerous model photographers, this is the lens that lives on their camera the majority of the time. This is one of the great lenses around for portrait and wedding photographers due to the quality of the optics enhancements and versatility of the focal length. An aperture of F1.4 means that you’ll be able to expect that desired cluttered background appearance. Most notably, additionally, the focus is fast and still accurate – as we’ve come to get from immensely ultimate Sigma lenses. Genuinely, the Sigma 56mm F1.4 is a jewel of a glass to have in your Sony Alpha A6500 bag.
Sony FE 85mm F1.8
Take your weddings, family and portraits images to the next level with the particular Sony FE 85mm F1.8 lens. Upgraded remarkable, monstrous and stylish lens for Sony ILCE A6500. This modern Sony lens produces images that are naturally sharp in the center at F1.8 and immensely sharp when you hit f3.5. This significant Sony lens is coated with protected elements to get the excellent color balance while cutting down on ghosting produced by reflections from the current camera image sensor.
The incredible, detailed Sony FE 85mm F1.8 lens is specifically designed for portrait pictures and meticulously recreate the resonance, colors, and consistency of the subject’s skin, clothing, and accessories as well as promising a good rendering of highlight and bokeh areas. The lens has no problems with focusing or anything else because Sony uses an accurate AF-S motor. I’ve owned plenty of copies of a 35mm lens over my years photographing DSLRs, and so the remarkable Sony FE 85mm F1.8 was a simple choice as the first lens to buy with my camera. Great, stylish and detailed lens and worth every penny!.
Sony E 10-18mm F4 OSS
Whether you’re traveling to America for hiking or want a universal lens that is useful for it all and delivers contrasty results, you’ll love it. Who is this modern lens good for? Crisp family, weddings or interesting traveling photos. It is wide enough for most scenic and landscape assignments and when used indoors for building interiors or groups of people. If you need one super advanced lens to take on your cruising or utilize while wandering around the township, this is a superb preference. Still, optical steady shot image stabilization is inherent, and it will help you expect sharper pictures. Besides, it offers a versatile zoom lens with such a affordable price for the incredible Sony Alpha A6500.
Sony E 55-210mm F4.5-6.3 OSS
This Sony lens is presumably one of the favorites, superb and outstanding working Sony E mount portraits lenses. The Sony multi-layer coating reduces lens flare and ghosting and provides high-quality and high contrast images even in backlit conditions. It is wide enough for most scenic and landscape assignments and when used indoors for building interiors or groups of people. The image stabilization system gives you to utilize the lens even without a tripod to take sharp, clear photos.
Great for those who travel or hiking and want one, wise, crisp lens. Glass is very sharp around f3.2 and, for the price, produces excellent bokeh. You can utilize these beautiful glasses for weddings, family pictures, or freely as your only lens if you want a do-it-all lens.
Sony E 18-135mm F3.5-5.6 OSS
This Sony lens is presumably one of the popular, astonishing and spurious working Sony E mount weddings lenses. One of the unique advantages of the Sony E 18-135mm F3.5-5.6 OSS is its superior build quality. The optical stabilization system allows you to utilize the lens even without a tripod to take sharp, clean images. Furthermore, the lens can focus on elements as close as 0.45m entire zoom range.
It utilizes curvature and positioning of 16 optical elements to virtually eliminate lens flare and ghosting for crystal clear, high-quality photos. A rounded 7-blade diaphragm helps to produce an excellent blurry background, stunning images quality. Glass produces pictures that are tack sharp at the center, notably when shot between f/4 and f/5. In short, if you can afford only one lens for your Sony A6500, then forward-looking Sony E 18-135mm F3.5-5.6 OSS is the best to buy.
Sony FE 24-70mm F4 ZA OSS CZ
This Sony lens is presumably one of the most famous, superb and excellent working Sony FE mount family lenses. Lastly, the tough metallic barrel, flexible grip focus ring, and middle-sized switches add up to a comfortable practice that’s satisfactory and feel sophisticated. With reputable image quality, eye-popping colors and blurred background, this is the best peaces Sony has ever made. Rendition, is incredibly excellent in most ways, with a high-speed and accurate autofocus motor. It is made of 12 optical elements to remove flare and ghosting for clean, tack sharp, good-quality images. A rounded 7-blade diaphragm generates a brilliant bokeh, top-tier photos quality. Sony has a reputation for superb, outstanding and reputable quality and layout at a fraction of the cost of alternative lenses. Glass is very sharp then aperture is set to f3.5 and, for such a reasonable price, shots very appealing bokeh. This enhanced and new Sony glasses should be in each Sony A6500 bag.
Sigma 60mm F2.8 DN
In our advanced lens buying guide we look at some of the lenses to consider for specific types of photography, but if you are getting a feel for what you want to do, here are our recommendations for the best entry level lenses. Spurious, stellar, marvelous Prime versatile lens with F2.8 brightness at wide open aperture, this lens embody lens elements in groups. This stunning, exceedingly beautiful Sigma lens will fit admirably with your contemporary Sony ILCE A6500.
One of the unique advantages of the Sigma 60mm F2.8 DN is its superior build quality. There may be a small amount of vignetting and occurrence of colored fringing, but one and the other are easily fixed in post-processing. This is awesome, spurious 60mm/F2.8 Prime you can buy for your convincing Sony ILCE A6500.
Sigma 19mm F2.8 DN
This masterpiece is one of the best lenses ever invented by Sigma and with your Sony ILCE A6500 it generates very impressionable photos. The lens is elementary and paints stunning, excellent and stunning images. Ideal for those who were hiking and travel and want one, durable, detailed lens. It utilizes curvature and positioning of 8 optical elements to virtually eliminate lens flare and ghosting for clear, brilliant-quality images. A fast and constant F2.8 maximum aperture generates blurred backgrounds well out of focus, extends dim -light shooting opportunities and enables a brighter viewfinder image. With a stunning lens like this, you get the exceptional image quality from your Sony ILCE A6500 digital sensor. The top-notch Sigma 19mm F2.8 DN lenses are all in all assembled with entry-level people in mind, so are logically priced.
Samyang 12mm f2.0
It is wide enough for most scenic and landscape assignments and when used indoors for building interiors or groups of people. Sharpness rendition and vibrance are also dependent on the camera used, but at least with the Sony Alpha A6500, you’ll realize it’s not the lens letting you down!. Modern Samyang shot images that are tack sharp near the lens center, notably when taken between f/4 and f/5. This lens doesn’t have significant distortion, but it does show an all in all considerable volume of sun flare when the sun is near the enclosure. There may be a small amount of vignetting and evidence of colored fringing, but both are very easily fixed in software. With admirable image quality, stunning colors and blurred background, this is one of the best lenses Samyang has ever made. In addition to this, high-quality Samyang 12mm f2.0 lens is a well-priced an ideal option for who are looking for an upgrade from the cheap glass in the necessity of quality and better focal diapason.
Kamlan 28mm F1.4 Sony E-Mount
This surprising lens is tack -sharp in the middle but on the sides of the lens elements have very soft finishing. This lens has a small amount of chromatic aberration in the form of magenta fringing near the corners of the objects, but it is relatively negligible and can be managed by closing down your aperture. This impressive Kamlan lens generates images that are naturally sharp in the middle at F1.4 and remarkable sharp by the time you hit f3.5 — ideally suited for those who travel or hiking and want one, tough, detailed lens. With its exaggerated ultra-wide perspective and high-resolution imaging power, it captures dynamic, sweeping views of subjects, making it an ideal choice for landscape photography. If not, Kamlan 28mm F1.4 is a remarkable, beautiful Sony E mount Prime lens that gets the job done, and at a right obtainable charge.