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Best lenses for the Nikon D750

The selected lens we can safely recommend for Nikon D750; each of them is the best choice in its class of optics, and together they cover almost all typical shooting scenes.

Nikon 50mm f1.8G

Nikon 50mm f1.8G

In our advanced lens buying guide we look at some of the lenses to consider for specific types of photography, but if you are just getting a feel for what you want to do, here are our lens recommendations for Nikon D750. As a first lens, I would like to showcase this Nikon bestseller. The Nikon 50mm f1.8G is a very affordable, sharp (at f2.2 and above), clean and smooth bokeh and very popular prime well-suited to a variety of shooting applications and good lens choice for Nikon D750. If you like shooting portraits with a shallow depth of field will favorite this creative lens and the versatile blurry background it generates. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens, and there are some marks of chromatic aberrations (purple around white subjects).

Because of its large F1.8 aperture, the lens gathers a lot of light and is excellent for dark solutions (portrait, landscape etc.) What about the optical performance is an equally adept Ultrasonic Motor, which provides very fast, smooth, and near-silent autofocus performance. The Nikon 50mm f1.8G lens for Nikon D750 weighs in at just 185g, making it an excellent choice for people whose primary concern is weight. This is top-grade Nikon portrait lens for photographers who like to shoot spectacular photos farther from their subjects. Then Nikon 50mm f1.8G mounted on the high-end Nikon D750, and it makes an exceptional kit for any wedding photographer. With a surprising lens like this, you get the awful photos quality from your D750.

Nikon 85mm f1.8G

Nikon 85mm f1.8G

The portrait lens is often the first one to buy in addition to the standard zoom from the camera kit. AF-S Nikkor 85mm f/1 .8G is the best choice for Nikon D750. Focal length allows you to shoot from a comfortable distance of 1.5 − 2 meters, which is convenient when shooting close-up. The light intensity by the standards of portrait optics is not a record, but also the depth of field due to this does not cause inconvenience with the inevitable errors of focus. The lens with a length of 73 mm weighs 350 grams, so the camera does not pull forward, it is convenient to shoot.

As the diaphragm closes, the pattern changes from pleasantly soft to razor-sharp, which is useful: different faces fit a different pattern. This AF-S Nikkor 85mm f/1 .8G favorably differs from universal optics, where the effect of the diaphragm is not so strongly expressed. In our opinion, based on the test, this is the optimal lens for a novice portrait photographer. And for the experienced, too.

Sigma 85mm F1.4 DG HSM Art

Sigma 85mm F1.4 DG HSM Art

This reputable lens is astonishing. The feeling, contrasty details, vibrance, and style of the beautiful photos are incomparable. This high-end, sharp Nikon D750 lens will let you isolate your subject with excellent, fantastic, blurry background. This powerful lens produces images that are reasonably sharp in the center at F1.4 and momentous sharp by the time you hit f7.0. This lens is a reliable, capable workhorse for those who find themselves shooting portraits in a variety of lighting and space situations.

I bought the Sigma 85mm F1.4 DG HSM Art a few years ago, and it’s a beast. Look at any wedding/portrait photographer’s bag, and you’ll most likely see the 85mm there. If you are looking for extraordinary corporate captures, then think about buying this elegant glass. It’s all-purpose useful for all types of eye-popping photos in multiple lighting conditions. One of the awful advantages of the Sigma 85mm F1.4 DG HSM Art is its superior build quality. This modified and improved Sigma lens should be in every Nikon D750 owner's photo bag.

Nikon 70-200mm f2.8G ED VR II

It is remarkable, tack sharp, has great details and focuses quickly. This lens is a bestseller and my all time favorite. The Nikon 70-200mm f2.8G ED VR II is completely upgraded, with other things, to give remarkable clarity under the most extreme usage condition. It embodies a 7 ED glass elements Nano Crystal Coating into its 21-element, 16-group optics, and provides excellent, high-quality image reproduction, even at the maximum aperture of F2.8. Furthermore, it also boasts aspherical lens elements, ED glass, and a circular aperture to minimize all types of aberrations, ghosting, and flares. Benefitting handling and use, a rotating tripod collar is featured for increased stability and easier switching between horizontal and vertical shooting orientations.

Nikon is tack sharp then aperture is set to f3.2 and, for such a reasonable price, produces very appealing photos. The Nikon 70-200mm is designed to deliver speed, sharpness, and performance while providing a supreme soft bokeh (defocus) effect on the background throughout the entire focal range. This baby’s quiet motor, clear optics, and fantastic price make it the perfect starting point for many portrait photographers. Then Nikon 70-200mm f2.8G ED VR II mounted on the popular Nikon D750, it makes an exceptional kit for any wedding photographer. You can use this for a wedding, portrait photos, or just as your only lens if you want a do-it-all lens.

Tamron SP 70-200mm 2.8 Di VC USD G2

Tamron SP 70-200mm 2.8 Di VC USD G2

For those who can not afford branded optics, and a light-strong zoom need, we will need Tamron SP 70-200mm F/2 .8 Di VC USD G2 lens. Stylish dustproof housing, constant luminous intensity f/2 .8 and, most importantly, attractive price compared to branded analogs - these are the qualities that can induce the choice of photographers in the direction of this lens. High image quality is ensured by the design with low-disperse glass lenses. The sharpness of the picture is such that the lens adequately works with multi-megapixel cameras such as D810 and D850.

Three-mode stabilizer (efficiency of up to 5 expo stages) helps to remove from hands without “moving” and at the same time simplifies the life of autofocus, which also does not like it. The lens is also suitable for video shooting: the electromagnetic diaphragm can change the value directly during shooting, and the focus is made so that the field of view does not change when the focus is transferred from the near area too far. The body is thought out in trifles. The zoom ring is closer to the front lens for easy grip, and the platform on the tripod foot is equipped with “sliders” for attaching to the Arca-Swiss standard tripod heads directly. Zoom and focus internal, outside the lens does not move or spin, and he does not pull dust at the expense of this design. If you neglect noticeable vignetting on the open diaphragm, Tamron SP 70-200mm F/2 .8 Di VC USD G2 is a serious competitor even for the most expensive branded telephoto lens.

Tamron 70-210mm F4 Di VC USD

Tamron 70-210mm F4 Di VC USD

One of the most expected, immensely versatile lenses, the Tamron 70-210mm F4 Di VC USD is made for the Nikon D750 photographer. One of the momentous advantages of the Tamron 70-210mm F4 Di VC USD is its high-grade assembled quality. Very easy to focus, tack detailed across the entire sensor, colorful photos and with an only small amount of chromatic aberration. Thanks to an incredibly quick speed autofocus motor, the Tamron 70-210mm F4 Di VC USD supply fast, silent and precise auto-focus. It utilizes curvature and positioning of 20 optical elements to virtually eliminate lens flare and ghosting for crystal clear, tack sharp, brilliant-quality photos.

This zoom lens has fixed aperture so even if you zoom all the way, the aperture doesn’t get smaller. This powerful lens produces images that are tack sharp near the lens center, especially when shot between f/4 and f/5. We’ll keep it simple. if you can buy exclusively one camera stuff, this Tamron 70-210mm F4 Di VC USD lens for Nikon D750 should be your next purchase.

Nikon 50mm f1.4G

Shot wide open at F1.4, images are tack sharp, and this level of pixels detail is across its entire lens focal range. Colour rendition and vibrance is also dependent on the camera used, but at least with the Nikon D750, you’ll know it’s not the lens letting you down!. For many portrait photographers, this is the lens that lives on their camera the majority of the time. If you want your model to be in sharp focus and the background to melt away, this is the lens for you. Otherwise, this is a powerful, stunning Nikon F (FX) mount lens that gets the job done, and at a very accessible price.

Tamron 15-30mm f2.8 VC USD

Tamron 15-30mm f2.8 VC USD

It’s purpose is for landscapes but it is also an excellent lens for food photography, real estate or even event photography. Perfect for those who travel and want one, high-quality prime lens. With the sun at your back, images out of the Nikon D750 excellent Tamron 15-30mm f2.8 VC USD are razor-sharp, sharp, contrasty and impressively eye-popping. There is one more reason why forward-looking F2.8 is so great is that it allows you to complete to boom up the background, making your model stand out.

Shot wide aperture at F2.8, images are ultra sharp, and this level of detail is across its all focal range. With this lens, you will not be bothered by chromatic aberration, not even at high magnifications. Sharpness is good across most of the zoom range – but drops off more at the long end. This is versatile, stunning 15-30mm/F2.8 Zoom you can buy for your remarkable Nikon D750. Overall, this enhanced and upgraded Tamron lens should be in every Nikon D750 owner's camera bag.

Sigma 105mm F1.4 DG HSM Art

Sigma 105mm F1.4 DG HSM Art

To take your photos to the next level, you’ll want to begin building your arsenal of significant lenses. The versatile, high-quality Sigma 105mm F1.4 DG HSM Art lens is specifically designed for portrait photography and accurately reproduces the tones, colors and texture of the subject’s skin, clothes and accessories as well as assuring an excellent rendering of highlight and out of focus areas. This Nikon F (FX) mount superb, the respectable lens produces dreamy bokeh, especially for being on remarkable Nikon D750. The bayonet mount is made from strong metal to provide accuracy and endurance.

The lens also features six weather seals to protect against the elements and the fluorine coating on the front lens element that repels oil and water. The raw materials are real glass and metal, and there is no plastic used in this remarkable Sigma lens. This respectable lens is fascinating. The feeling, razor-sharp pixels, and style of the superb photos are incomparable. Generally, the Sigma 105mm F1.4 DG HSM Art is a gemstone of a lens to have in your Nikon D750 bag.

Nikon 105mm F1.4

Nikon 105mm F1.4

This lens is one of the newest in the Nikon range of optics and is still the only one with a focal length of 105 mm and a luminous intensity of f/1 .4. Longitudinal chromatic aberrations are reduced to zero, optics build an image close to ideal even on a fully open aperture. The picture is sharp from edge to edge. Due to good coma correction, point objects are transmitted by points on the edge of the frame, including in the blurred zone. As you can see, the side is modern neutral and very uniform on the field of the frame, without doubling and twisting. Note and 9-petal diaphragm with electromagnetic drive. It is necessary for high aperture speed, and it is also useful for video shooting - it is thanks to it that the aperture can be controlled directly during shooting.

Nikkor 105mm f/1 .4E internal focus, so the lens does not tighten dust, and the outside does not spin. Fluorinated coating lenses weaken glare and internal reflections. It also repels dust, water, grease, and dirt, protecting lenses from accidental contamination. The lens is quite heavy, 985 grams, but relatively compact — the length is 106 mm, the diameter is 94.5 mm. AF-S Nikkor 105mm f/1 .4E ED works with 82 mm diameter filters. The kit includes a cylindrical hood and a soft cover.

Nikon 24-70mm f2.8G ED

Nikon 24-70mm f2.8G ED

The lens is easy to use and paints fantastic, brilliant and stunning photos. Easy to focus, tack detailed across the entire sensor, lifelike photos and with an only small amount of chromatic aberration. I bought the Nikon 24-70mm f2.8G ED a few years ago, and it’s a beast. Look at any wedding/portrait photographer’s bag, and you’ll most likely see the 24-70mm there.

The complexity of the design is due not only to the requirements for image quality but also to the presence of a stabilizer with efficiency up to 4 stages of exposure. Focusing the lens starting from a distance of 28 cm from the plane of the matrix. A beautiful blur of glare is provided, as well as their rounded shape due to the 9-petal diaphragm.

Additionally, Nikon's super multi-layer lens best coating reduces flare and ghosting, a common problem with digital cameras and also creates an optimum color balance. Who is this modern lens good for? Beautiful wedding, corporate or extraordinary portrait photos. If you feel like your current lens is not wide enough for night time/sky, buildings, beaches, landscape, and indoor/real estate, definitely check out the Nikon 24-70mm f2.8G ED.

Tokina 17-35mm f4 Pro FX

Tokina 17-35mm f4 Pro FX

This lens is useful for those who are not ready to spend on the signature AF-S Nikkor 16-35mm f/4G ED VR zoom. Analogue of this lens manufactured by Kenko Tokina Co. Ltd will cost twice cheaper. There is no stabilizer in Tokina AT-X 17-35 f/4 PRO FX, but it is not always necessary for this class of optics. But in this lens distortion is corrected almost perfectly and the drawing is extremely sharp almost throughout the field, especially in a wide-angle position. In optical design, there are 13 elements in 12 groups, 2 of them - aspherical. The minimum focus distance is 28 cm, the shooting scale is 1:4 ,82.

Highly efficient illuminating coating does not allow glare into the camera in almost any position of the light source in the frame and at any focal length. The price for alternative choice can be except that autofocus behavior in the dark, but let's be honest to the end: in the dark, autofocus with any lens is not absolutely reliable. Anyway, we strongly recommend Tokina AT-X 17-35 f/4 PRO FX to those who need a relatively affordable and high-quality wide-angle zoom.

Sigma 14-24mm F2.8 DG HSM Art

Sigma 14-24mm F2.8 DG HSM Art

Its wide enough for most scenic and landscape assignments and when used indoors for building interiors or groups of people. Whether you’re traveling to India for a month or want a lens that covers it all and delivers excellent results, you’ll love it. When mounted on the current Nikon D750 camera body, it provides sharp, dreamy, lifelike imaging power, making it an ideal everyday-use lens, suitable for a variety of scenes.. Easy to focus, ultra-detailed across the entire sensor, lifelike photos and with an only small amount of chromatic aberration.

The Sigma lens is completely rebuilt, among other things, to give a powerful feeling under the extreme usage condition. The lens has no issues with autofocusing or anything because it uses an accurate focus drive. An aperture of F2.8 means that you’ll be able to get that coveted ‘blurred background look’ that separates subject from the background. 1 aspherical + 3 SLD + 3 FLD elements lens elements provide minimal chromatic aberration and color blur. In fact, it offers a superb zoom lens at an affordable price for the versatile Nikon D750.

Sigma 135mm F1.8 DG HSM Art

This Sigma lens is presumably one of the favorites, superb and superb working Nikon F (FX) mount wedding lenses. Powerful Sigma produces photos that are very sharp near the center, especially when taken between f/4 and f/5. This respectable Sigma 135mm F1.8 DG HSM Art lens is supreme. The feeling, eye-popping details, and style of the outstanding images are incomparable. The onion rings generated in the glass are more round in shape than I’m used to seeing with my other lenses.

The innovative, superb Sigma 135mm F1.8 DG HSM Art lens is specifically designed for portrait photography and accurately reproduces the tones, colors, and texture of the subject’s skin, clothes, and accessories as well as assuring an excellent rendering of highlight and out of focus areas. For every professional report or wedding photographer who is satisfied only with the highest image quality, the Sigma 135mm F1.8 Art is a desirable lens choice for Nikon D750, and the high purchase price will not be an obstacle. If you want to get the most out of every megapixel in your camera, investing in excellent, superb and innovative Sigma optics will open your eyes.

Nikon Micro-60mm f2.8G ED

This lens will be useful for those who are engaged in macro photography. It, like the macro lens, provides a 1:1 shooting scale and a minimum focus distance (18.5 cm). Inside there is an almost perfectly round 9-petal diaphragm. There is no image stabilizer in this lens, but the 60mm f2.8G comes equipped with a hood, and the front tube of the lens does not rotate, so it can be worn on it.

The lens works equally well with full-frame cameras and crops. In the second case, the field of view is 26° 30" diagonally, which is quite suitable for portrait shooting. Shaving sharp macro lens drawing will decorate not every portrait, but, for example, for a male portrait or headshot AF-S Micro Nikkor 60mm f/2 .8G ED on a Nikon D750 is quite suitable.

Nikon Micro-105mm f2.8G IF-ED VR

Nikon Micro-105mm f2.8G IF-ED VR

It is a fast, light-strong and stabilized macro lens, suitable for solving any problems in macro photography. During his test, we were convinced that it is possible to catch a beetle on the fly, and lips close-up to capture, and a male portrait to remove. The SWM autofocus actuator provides silent and very fast focus with instant switching between automatic and manual. The new generation stabilizer allows you to use 4 stages longer when shooting with the hands of exposure than when shooting without a stabilizer. Focus internal: in the process of focusing on sharpness nothing spins and does not move forward, which is very convenient when using a macro on the lens.

The diaphragm with 9 petals gives a beautiful shape of glare in a blur. The optical lens scheme contains one ED glass element to reduce chromatic aberrations. Weighs the lens 750 grams, in length, it takes 116 mm. Complete with lens sold hood and soft cover.

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